“I just know what I want to accomplish.Want to watch ' The Innkeepers' in the comfort of your own home? Discovering a streaming service to buy, rent, download, or watch the Ti West-directed movie via subscription can be a challenge, so we here at Moviefone want to do right by you. “I don’t think of myself as a control freak,” he said. He also operated the camera on his first efforts. West juggles several tasks, usually working as writer, director and editor. He has a real sensitivity to other times, but he’s not derivative.” He’s a guy who’s clearly paying attention to the origins of the genre. 3 and is already available on demand.) “His work has a particular singular point of view,” said Janet Pierson, the South by Southwest’s producer. West’s second film, the minimalist thriller “Trigger Man,” in 2007, and held the world premiere of “The Innkeepers” in 2011. “The Roost” was chosen for the 2005 South by Southwest film festival and picked up for distribution it ended up turning a profit for Mr. Full of long takes of characters wandering in dark, creepy spaces, it contains seeds of the style that Mr. The film was short on dialogue, high on atmosphere, and shot on 16-millimeter film. He keeps moments of actual horror to a minimum: the fright arrives, but the path there is one that he hopes isn’t obvious. West, who has five features to his credit, thwarts our preconceived notions of what might happen. The way he works his magic is through a technique that some fans have called the slow burn: long takes and deliberately paced scenes, in which the camera follows characters down hallways, through the woods or into empty rooms. “It only works if people don’t know how you’re doing it.” “It’s kind of like being a magician,” he said. “It’s very hard for a film to stay one step ahead.”īut Mr. “We’ve become very postmodern as an audience,” Mr. The moment reflects the filmmaking goals of its director, Ti West, who has spent his relatively brief career subverting the assumptions of horror fans. Tension builds, and the score swells, but what happens next is a surprise, one that challenges audience expectations. There’s the image of a lone, stationary rocking chair on a dark porch. EARLY in “The Innkeepers,” a film about two desk clerks at a soon-to-be-shuttered hotel who engage in some amateur ghost hunting, one tells the other to watch closely a video clip that purports to contain evidence of paranormal phenomena.
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