![]() ![]() The readings explore what can be called iambos’ powers of horror as they are expressed by the textures of images and sounds in Archilochus and Hipponax, and in their ancient reception. Iambos constitutes a privileged case study, as it aligns its own slippery poetic stance with sadomasochistic thrills, a shattering of corporeality, which, in pushing the limits of feeling, places it at the core of generic discourse. ![]() ![]() This chapter argues that affect, conceived as a circulation of bodily intensities between subject and object, can help us rematerialize the notion of genre in the study of archaic Greek lyric. ![]()
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January 2023
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