Modartt Pianoteq 1.0.3 marks a milestone in physical-modeling technology. From the first note, there's no doubt that this is a very playable piano with all the special controls that only physical modeling can bring.
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You can create a 30-foot grand with your own unison tuning, octave stretching, and string-harmonics spectrum; you can shape the physical characteristics of the soundboard and control individual as well as global resonances; and you can create hybrid instruments that sound organic if not quite acoustic. 1: Pianoteq's control panel is laid out in three horizontal sections: preset management and help (top), physical-modeling panels (middle), and pedals and playback controls (bottom).Modartt, short for Models and Data for Arts and Technology, is a collaboration between piano technician turned mathematician Philippe Guillaume and software designer Julien Pommier. Guillaume created the model, and Pommier put it on your desktop as a VST and AU plug-in for the Mac and a VST plug-in for Windows.
A standalone version is planned for the future. Physical modeling is not new; physical-modeled virtual string and wind instruments get better with every generation. But the mechanical complexity of a grand piano presents a different level of challenge. Pianoteq is more than a first shot at this challenge, and it's likely to be around for a long time. For Ex SampleThe biggest question regarding Pianoteq is, how does it compare with state-of-the-art sampled-piano virtual instruments? “Software Eighty-Eights” in the October 2006 issue of EM (available online at ) compares six of the best, with the conclusion that there are some very playable sampled pianos.
I used the same MIDI files used for the Web Clips from that article to play several Pianoteq presets. You'll find them in for this review, and they make an interesting comparison with the sampled-piano clips.A couple of things stand out right away when comparing Pianoteq with a sampled piano. No matter how closely miked, there is always some room ambience in piano samples, and when it doesn't get in the way, it adds to the realism of the virtual instrument.
With Pianoteq, no recorded samples means no room ambience. Pianoteq includes a reverb to fill the void, but the result is a little less alive — a problem that might be mitigated with a high-end convolution reverb. Make Mine Pineapple MintWhat you do get with a physical-modeled instrument is the ability to customize every aspect of its sound. You also get finer resolution of some performance parameters. For instance, you're not limited to a small number of Velocity zones, as you are with even multigigabyte sample libraries. With Pianoteq, each of the 127 MIDI Velocity gradations has its own effect.Half pedaling is another example. If your sustain pedal sends out more than two values (127 for on and 0 for off), Pianoteq will reproduce the effect of partially pressing the damper pedal on a real piano.
Because progressive sustain pedals are hard to come by, and standard foot controllers don't feel right for sustain, it would be nice if a second controller could be used to set the damper amount when pressing the sustain pedal. 2: Pianoteq's three physical-modeling panels open to reveal tuning, voicing, and piano design settings. Handy rollover help boxes describe the controls and enable MIDI remote assignments.Pianoteq's Harmonic pedal is yet another example of the advantage of physical modeling. This fourth pedal, which couldn't be implemented in the real world, lets you play staccato notes with damper-pedal-down resonance. It's like having the dampers raised for all notes except the ones played, an unnatural but altogether pleasing effect. Most of Pianoteq's controls are devoted to tweaking the physical model.
Those are separated into Tuning, Voicing, and Design controls and are located behind panels in the center of the graphical user interface (see Fig. Clicking on a category name uncovers the sliders and pop-up menus for its settings (see Fig.
The Presets and Help menus, along with Random, Undo, and Redo buttons, inhabit the top of the panel. The EQ, reverb, pedals, and output controls are located at the bottom.
Hovering the mouse over any control reveals a help pop-up that you can also use to make MIDI remote assignments. MIDI remote is easy to set up and almost essential for tweaking this instrument.The Tuning, Voicing, and Design settings have the greatest impact on Pianoteq's sound, and they give you a lot of latitude to create off-the-wall as well as realistic piano presets. The Random button, which affects only the settings in these sections, provides a great way to survey the kinds of sounds Pianoteq can deliver. Because there are no filters, envelopes, LFOs, and other synthy components, you always get a percussive, keyboardlike sound, but its timbre and note duration can vary widely (see ).
A Different TuneThe controls in the left panel set the tuning reference pitch (Diapason), temperament, unison detuning for multistring notes, octave stretching to compensate for string inharmonicity, and duration of the direct versus the decay portion of the sound. The unison and hammer settings influence the duration of the direct sound, but you can use the Direct Sound Duration control to compensate for that manually.
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